Stella Maxwell is photographed by Jeremy Scott for the campaign. (source)
Amira Al Zuhair, Sophie Alshehry, Domie, Dana Alsnan, Alaa Alzahrani, Nujood Alanbari, Saba Alkhamis, Dania Alghamdi, Cindy Bruna, and Mohammed Ashi are fronting five December 2020 covers of Vogue Arabia photographed by Txema Yeste, Hayato Samah, and Tom Munro respectively. (source)
For Vogue US September 2020 issue, Kerry James Marshall and Jordan Casteel were given complete freedom to decide who would be on their covers, a real or imaginary person, and how that person would be portrayed.
For her Vogue cover, Casteel chose a real person as her subject, fashion designer Aurora James, who made headlines in June with her @15percentpledge, a campaign to support Black-owned businesses. “I believe that what Aurora is doing is hugely important in creating the long-term change that Black people deserve and this country owes us,” Casteel says. “I see her as a light in a lot of darkness, and a potential for hope, a representative of change across all creative industries. What’s most exciting to me is being given artistic integrity and being able to choose the person to be my sitter—someone who reflects a portion of my own identity—and then to do that truly in the medium of my choice. This is the way that I speak to the world. And this is the way I’ve been speaking to the world and talking about the humanity of our people, talking about humanity in general. It’s a really profound experience. I do think I’m participating and a change is happening.”
Marshall created a fictional character, as he typically does in his paintings. “I’m trying to build into her expression that she’s not dependent on the gaze of the spectator,” he says. “‘I’m here and you can see me, but I’m not here for you.’ That’s a critical element. The great word, ultimately, is going to be self-possessed. That’s what I’m aiming for.”
The Black figures Marshall paints have skin so dark that it is, as he says, “at the edge of visibility.” To achieve this, Marshall begins with three different shades—carbon black, iron oxide black, also called mars black, and ivory black, also called bone black, and then adds cobalt blue, chrome green, carbazole dioxazine violet, yellow ochre, and raw sienna. “The color comes up when you stack them on top of each other,” he says. “If you’re going to be painting a face as black as I’m painting them, they can’t just be a cipher, like a black hole. They have to be mysterious but available. If you say ‘Black is beautiful,’ you have to show it. And what I’m doing is showing it at the extreme. Yes, it is black—very black—and it is very beautiful.” (source)
Click here to view last year cover featuring Taylor Swift, here to view 2018 cover featuring Beyoncé, here to view 2017 cover featuring Jennifer Lawrence, here to view 2016 cover featuring Kendall Jenner, here to view 2015 cover featuring Beyoncé, here to view 2014 cover featuring Joan Smalls, Cara Delevingne and Karlie Kloss, here to view 2013 cover featuring Jennifer Lawrence, here to view 2012 cover featuring Lady Gaga, here to view 2011 cover featuring Kate Moss, here for 2010 cover with Halle Berry, and here for 2009 cover with Charlize Theron.
For the Resort 2021 collection of Balmain Men, Olivier Rousteing looked up to one of his favourite TV shows, “Fresh Prince of Bel Air” as he binge-watch it during the COVID-19 stay-at-home period. The upbeat spirit and vibrant style from the hit ’90s series are translated into bright tones, sharp tailoring and incredible graphic patterns.
Key designs from the series are married with Balmain‘s signatures and silhouettes such as six-button, military-inspired tailoring, khaki tones, and double-breasted jacket.
The collection is referred as “Zoom” collection, since Olivier and his team needed to rely on a whole new series of tools to create the designs. Olivier, his team, Balmain ateliers, and all of the craftsmen are forced to figure out how to work together in entirely new ways during the lockdown. “We all somehow managed to work closer than ever before, in order to produce a collection that meets this house’s high standards, in spite of all the difficulties that needed to be overcome. My team’s dedication, pride and talents are clearly reflected in each and every piece of this offering,” Rousteing said in a statement to art8amby.
In addition, the brand also introducing their first concrete steps toward the long-term goal of creating truly sustainable collections. The Resort 2021 collection is made up of a selection of tees, polos and sweats fashioned from Ecocert-certified organic cotton. The looks are also created at renewable-energy powered European production facilities located to their global distribution centers. All of the products rely on 100% compostable packaging, as well as recycled polyster labels and hang tags using recycled string and paper from Forest Stewardship Council sustainably managed forests. Visit the link here to see the complete collection on our Facebook page. (source)