Sarah Paulson is currently starring in The Post, and inside the February 2018 issue of Town & Country magazine (on newsstands today!) she opens up on life as a working actress in her 40s, her feelings on the recent rise of her career, her relationship with Holland Taylor, and the fear behind starting a family of her down.
On her cast mates in her latest film, The Post: “These are arguably the most respected filmmakers and actors of their generation. That made it a very extraordinary place to be. It was a pinch me moment.”
On being a working actress in her 40s: “I’ve got a window as a woman of 43. …I’m trying to keep it open with both hands, as wide as possible, for as long as possible.”
On the rise of her career: “Going to the next level means that you’re at the bottom of the next rung. Look, many of them [top-tier actresses] have won Academy Awards. I don’t expect to get offered those roles before them, but I still want them. All it means is that I have to keep working the way I always have, leaving my ego at home and trying to just think about what is true.”
On her relationship with Holland Taylor: “I do not want to be defined by who I share my bed, my home, my soul with. My choices in life have been unconventional, and that’s my business. …Our relationship represents a certain amount of hope and risk. Maybe there’s something brave in it. Maybe it encourages others to make brave choices. What else can I say? We love each other.”
On fear of having children: “I don’t want to be torn. I don’t want to look at my child and say, ‘You’re the most extraordinary thing that ever happened to me, but also the death knell.’ It was hard for my mother to be everywhere, to come to the school play and make a living, I’ve always known what I wanted out of professional life, and I didn’t want to turn around and go, ‘If I had only made the choice to just dedicate this time in my life to me.’ It’s selfish, but I think the word selfish gets a bad rap.”
Sarah wears Carolina Herrera dress and Belperron earrings on the cover photographed by Victor Demarchelier. (source)
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